[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”1\/2″ css=”.vc_custom_1641574903473{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_single_image image=”1269″ img_size=”full” qode_css_animation=”” el_class=”picture_left”][vc_empty_space][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1641574941204{padding-right: 40px !important;padding-left: 40px !important;}”][vc_column_text el_id=”title-right” el_class=”title-right”]<\/p>\n
[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”1\/2″ css=”.vc_custom_1641574903473{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1644415641137{padding-right: 40px !important;padding-left: 40px !important;}” offset=”vc_hidden-sm vc_hidden-xs”][vc_empty_space height=”80px”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”1\/2″ css=”.vc_custom_1641574903473{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1641574941204{padding-right: 40px !important;padding-left: 40px !important;}”][vc_column_text]<\/p>\n
[\/vc_column_text][vc_empty_space height=”64px”][vc_column_text]<\/p>\n
2018
\nFaire partir l’ombre du vertige de la contingence
\nwith color photographs
\nand texts by Chlo\u00e9 Hipeau-Disko, Hajo Eickhoff, Gloria Zein
\nGerman \/ French \/ English
\n48 pages, 21\u00d712,5cm, hard cover (thread-stiching). Edition of 350
\nDesigned with Charlotte Driessen
\nPublished on the occasion of my participation at the 8. Biennale internationale d\u2019art contemporain de Melle (F) and an artist residency at Lyc\u00e9e Agricole Jacques Bujault de Melle.
\nSupported by R\u00e9gion Nouvelle Aquitaine (F), the town of Melle, the Biennale and ifa (Institut f\u00fcr Auslandsbeziehungen).<\/p>\n
<\/p>\n
2016
\nohne Helm und ohne Hose
\nwith color photographs
\nand texts by Anna Grande und Noor Mertens
\nGerman \/ English
\n69 pages, 21\u00d712,5cm, hard cover (thread-stiching). Edition of 200
\nDesigned with Charlotte Driessen
\nPublished 2016 on the occasion of my solo exhibition at Galerie Sturm, N\u00fcrnberg.<\/p>\n
<\/p>\n
2014 2013 <\/p>\n 2012 2019 [\/vc_column_text][vc_empty_space height=”64px”][vc_column_text]<\/p>\n 2023 <\/p>\n 2021 <\/p>\n 2021 <\/p>\n 2020 <\/p>\n 2018 <\/p>\n 2017 <\/p>\n 2015 <\/p>\n 2014 <\/p>\n 2014 <\/p>\n 2013 <\/p>\n 2013 <\/p>\n 2012 <\/p>\n 2010 <\/p>\n 2010 <\/p>\n 2008 <\/p>\n 2007 <\/p>\n 2007 <\/p>\n 2007 <\/p>\n 2006 <\/p>\n 2004 <\/p>\n 2001 <\/p>\n 2000 [vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”1\/2″ css=”.vc_custom_1641574903473{padding-top: 0px !important;padding-right: 0px !important;padding-bottom: 0px !important;padding-left: 0px !important;}”][vc_single_image image=”1269″ img_size=”full” qode_css_animation=”” el_class=”picture_left”][vc_empty_space][\/vc_column][vc_column width=”1\/2″ css=”.vc_custom_1641574941204{padding-right: 40px !important;padding-left: 40px !important;}”][vc_column_text el_id=”title-right” el_class=”title-right”] Bibliography [\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern” z_index=””][vc_column width=”1\/2″ css=”.vc_custom_1641574903473{padding-top: 0px !important;padding-right:…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full_width.php","meta":{"footnotes":""},"class_list":["post-1444","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.gloria-zein.com\/en\/wp-json\/wp\/v2\/pages\/1444","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gloria-zein.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.gloria-zein.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.gloria-zein.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gloria-zein.com\/en\/wp-json\/wp\/v2\/comments?post=1444"}],"version-history":[{"count":7,"href":"https:\/\/www.gloria-zein.com\/en\/wp-json\/wp\/v2\/pages\/1444\/revisions"}],"predecessor-version":[{"id":2055,"href":"https:\/\/www.gloria-zein.com\/en\/wp-json\/wp\/v2\/pages\/1444\/revisions\/2055"}],"wp:attachment":[{"href":"https:\/\/www.gloria-zein.com\/en\/wp-json\/wp\/v2\/media?parent=1444"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
\nphobophobia phobiae
\nwith color photographs
\nand texts by Gloria Zein (German)
\n26 pages, 29x21cm, loose pages. Edition of 50 + 3 AE
\nPublished on the occasion of my solo-exhibition at bb15, Linz, January 2014
\nSupported by Atelierhaus Salzburg in Linz, Austria.<\/span>[\/vc_column_text][vc_empty_space height=”64px”][vc_column_text]<\/p>\nAcademic publications<\/h3>\n<\/div>\n
\nT:G10 \u2013 \u00c4sthetik der Existenz
\nEdition Voldemeer + Z\u00fcricher Hochschule der K\u00fcnste (CH)
\nISBN: 978-3-99043-612-7
\nEd.: Elke Bippus \/ J\u00f6rg Huber \/ Roberto Nigro
\nWith contributions by: Sigrid Adorf, Rossella Biscotti, Christoph Brunner, Maurizio Lazzarato, Burkhard Liebsch, Erin Manning, Brian Massumi, Ulrike M\u00f6ntmann, Jean-Luc Nancy, Bertrand Ogilvie, Michaela Ott, Ren\u00e9 Pollesch, Hans Ulrich Reck, J\u00f6rg Scheller, Philipp Stoellger, Gloria Zein.
\np. 173 ff. “p h i l o s o p h e n\u00a0 b e t t e n”<\/p>\n
\nCW Graduate School Directory 2012\/13, University of the Arts London (UK)
\nISBN: 978-1-908339-02-7
\np. 65 \u201cProfile: Gloria Zein, Alumna Fine Art\u201d[\/vc_column_text][vc_empty_space height=”64px”][vc_column_text]<\/p>\nBulletin Kunstverein Langenhagen<\/h3>\n<\/div>\n
\nKVL Kunst in der Klasse \/ Bulletin Nr. 1 \/ Hrsg. Kunstverein Langenhagen (D)
\nTexts: Noor Mertens, and a conversation between Gloria Zein and Prof. Roberto Nigro
\nGerman \/ English
\n32 pages, 9,5 x 18,5cm, staple binding, colour photographs. Edition of 200
\nPublished on the occasion of my solo exhibition “Haltung(s)*Echo” at IGS-Langenhagen, 2019.<\/p>\nGroup catalogues \/ anthologies (selection)<\/h3>\n<\/div>\n
\nFEMME FATALE Blick \u2013 Macht \u2013 Gender
\nExhibition catalogue Hamburger Kunsthalle
\n22 x 27cm, 400 pages, hardcover
\nEd.: Markus Bertsch
\nKerber Verlag (D)
\nISBN 978-3-7356-0879-6<\/p>\n
\n89. Herbstausstellung des Kunstvereins Hannover
\n10,5 \u00d7 16,5 cm, dt. Texte, 192 Seiten, Softcover
\nEd.: Kunstverein Hannover (D)
\nISBN<\/span> 13-978-3-934421-31-8<\/p>\n
\nOchumelaya Vystavka \u2014 The Fine Hands Show
\nthe main project of the 14th Krasnoyarsk Museum Biennale
\nEd.: Goethe-Institut Novosibirsk (RU)
\nISBN 987-5-6046073-5-0<\/p>\n
\nThe Process of Becoming, Temporal Dimensions of Sculpture. Galerie im K\u00f6rnerpark, Berlin (D) \/ Viborg Kunsthal, Viborg (DK). With texts by Sarah Maske and Jacob Wamberg
\nISBN 978-87-93702-05-9<\/p>\n
\n8. biennale internationale d\u2019art contemporain de Melle. Le Grand Monnayage
\nEditions Dilecta, Paris (F), S. 78ff. \u201cFaire partir l\u2019ombre du vertige de la contingence\u201d (F)
\nISBN: 978-2-37372-071-6
\nWith contributions by: Chlo\u00e9 Hipeau-Disko, Fr\u00e9d\u00e9ric Legros (Kuratoren) as well as
\nGhada Amer, Aram Bartholl, C\u00e9cile Beau \/ Emma Loriaut, Brognon \/ Rollin, Guglielmo Castelli , Ali Cherri, Hubert Duprat, Jimmie Durham, Elsa Fauconnet , Clemens Botho Goldbach, Pauline Curnier Jardin , Kimsooja, Jean-Fran\u00e7ois Krebs, Jannis Kounellis, Xinyi Liu , Renata Lucas, Pierre Mercier, Otobong Nkanga, Yoko Ono , Christodoulos Panayiotoul, Pieter Vermeersch, Philip Wiegard , Gloria Zein<\/p>\n
\nJahrbuch Bau und Raum 2017, Bundesamt f\u00fcr Bauwesen und Raumordnung, BBR, Bonn (D)
\nISBN 978-3-87994-215-2<\/p>\n
\nYOU ARE \/ berlin art prize, Berlin Art Prize e.V., Berlin (D)<\/p>\n
\nRBS Bursary Awards 2014 – Royal British Society of Sculptors, London (GB)
\nISBN: 978-1-908513-10-6<\/p>\n
\nbb15 20112014, bb15 – space for contemporary art, Linz (A)<\/p>\n
\nJahrbuch Goethe-Institut (D) – Cover<\/p>\n
\nDie Welt lesbar machen \u2013 Goethe-Institute im Portr\u00e4t
\nEd.. Klaus-Dieter Lehmann, Olaf Zimmermann
\nCommissioned by: Deutscher Kulturrat and Goethe-Institut (D)
\nCover und S. 33<\/p>\n
\nJahrbuch Bau und Raum 2011\/12
\nBundesamt f\u00fcr Bauwesen und Raumordnung, BBR, Bonn (D)<\/p>\n
\nNiederlassung, Kunstverein Tiergarten, Berlin (D)<\/p>\n
\nBody. Gestures, Postures and Beyond, Lithuanian National Gallery of Art (LT)<\/p>\n
\nGl\u00fcck gehabt. Kunst im Untergrund, NGBK Berlin (D)<\/p>\n
\nSexWork – Kunst Mythos Realit\u00e4t, Kehrer Verlag Heidelberg (D)<\/p>\n
\nKunstforum Band 184, 2007, p. 291-293 \u201cSexwork. Kunst Mythos Realit\u00e4t\u201d<\/p>\n
\nK\u00fcnstlerateliers Berlin, Hrg. Werkst\u00fcck – Iris von der Tann und Heide Weissenberger, Berlin (D)<\/p>\n
\nFactor 44 – Les jours fixes 1996 – 2006, Antwerp (B)<\/p>\n
\nDie Loreley. Ein Fels im Rhein. Ein deutscher Traum. Verlag Philipp von Zabern, Mainz (D)<\/p>\n
\nQuelle est-le r\u00f4le de l\u2019artiste aujourd’hui?, Contribution in: Tokyobook2
\nPalais de Tokyo, Paris (F)<\/p>\n
\nHappy Birthday Johannes. Kehrer Verlag Heidelberg (D)[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"